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The Natural, by Bernard Malamud
Free PDF The Natural, by Bernard Malamud
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The classical novel (and basis for the acclaimed film) now in a new edition
Introduction by Kevin Baker
The Natural, Bernard Malamud's first novel, published in 1952, is also the first―and some would say still the best―novel ever written about baseball. In it Malamud, usually appreciated for his unerring portrayals of postwar Jewish life, took on very different material―the story of a superbly gifted "natural" at play in the fields of the old daylight baseball era―and invested it with the hardscrabble poetry, at once grand and altogether believable, that runs through all his best work. Four decades later, Alfred Kazin's comment still holds true: "Malamud has done something which―now that he has done it!―looks as if we have been waiting for it all our lives. He has really raised the whole passion and craziness and fanaticism of baseball as a popular spectacle to its ordained place in mythology."
- Sales Rank: #30171 in Books
- Brand: Malamud, Bernard
- Published on: 2003-07-07
- Released on: 2003-07-07
- Original language: English
- Number of items: 1
- Dimensions: 8.27" h x .70" w x 5.48" l, .49 pounds
- Binding: Paperback
- 231 pages
- Farrar Straus Giroux
Amazon.com Review
Roy Hobbs, the protagonist of The Natural, makes the mistake of pronouncing aloud his dream: to be the best there ever was. Such hubris, of course, invites divine intervention, but the brilliance of Bernard Malamud's novel is the second chance it offers its hero, elevating him--and his story--into the realm of myth.
Review
“A brilliant and unusually fine novel.” ―The New York Times
“A preposterously readable story about life.” ―Time
“Malamud [holds a] high and honored place among contemporary American writers.” ―Washington Post Book World
“The finest novel about baseball since Ring Lardner left the scene.” ―St. Louis Post-Dispatch
About the Author
Bernard Malamud (1914–86) wrote eight novels; he won the Pulitzer Prize and a National Book Award for The Fixer, and the National Book Award for The Magic Barrel. Born in Brooklyn, he taught for many years at Bennington College in Vermont.
Most helpful customer reviews
1 of 1 people found the following review helpful.
he was not a very nice person; I found myself thinking of Ted Williams---who ...
By Amazon Customer
After seeing the movie several times I decided to get the book so I could draw some comparisons. Much to my surprise I discovered that the author had drawn much information from actual lives and events---some accurate, others off base. Reading it carefully I found myself making notes on various aspects, and I shall set forth some of them.
First, Roy Hobbs himself. To be sure, he was not a very nice person; I found myself thinking of Ted Williams---who said again and again he wanted to be the best he was, the greatest hitter who ever lived---and, going farther back, to one Tyrus Raymond Cobb whose early life had a tremendous impact on the player---and man---he became. In spite of his terrible temper Williams, however, was more of a human being; I used to enjoy reading about his conversations with other players, particularly one pitcher for whom he had great respect (he even let this pitcher use some of his bats!) Not so Hobbs.
There was one scene, both in the book and in the movie, that had me laughing fit to split and still does, because it continues to put me in mind of an actual episode concerning those misbegotten St. Louis Browns circa 1949-1950---and an experiment that failed miserably. Briefly: the Browns had taken up residence in the cellar, and the front office decided they had to do something about it. You would think they would get a few players who new how to play the game, maybe a couple of coaches---even a new manager---but no. They went ahead and hired a psychologist in the hope that he could hypnotize this miserable team out of their doldrums. It didn't work. The psychologist was probably very good in other areas, but when it came to working with hypnosis---he was, in the words of a great pitcher with a great team in the American League East, a "one-trick pony" who had one technique that he ran into the ground. Of course it didn't work; this psychologist failed to consider that what was sauce for the goose was not necessarily sauce for the gander! No wonder Roy Hobbs got up and left, the manager chased after him, and Hobbs practically snarled at him "I signed a contract to play baseball, not for those shenanigans!" Well, the Browns started the 1950 season in the cellar; in May of that year they managed to win four games but still ended up in the cellar---so they fired that psychologist, and a couple of years later they moved to Baltimore and became the Orioles. (Incidentally, I knew that pitcher quite well; he had a good working knowledge of how to use hypnosis and a few other tricks up his sleeve besides that arm.)
Mr. Malamud devotes a great deal of space to the whys and wherefores of the hitting slump, and one can gain much from a careful reading of this section. He also devotes a great deal of space to Roy Hobbs' eating proclivities, and one must mention the great Babe Ruth who was perhaps the first of the great "fressers"---and here I must say something about a third baseman named Andy Carey who ate and ate and ate and where did it all go? (He probably had an extremely high metabolism, unlike the Babe and Mr. Hobbs.) And, of course, he discusses Hobbs the poor fish who went looking for love---or was it lust?---in all the wrong places and what became of him; there is indeed a huge difference between the ending of the book and the ending of the film, and the reader is invited to take his or her pick. Again I think of one Theodore Samuel Williams and one Tyrus Raymond Cobb, and how both of them came to grips with their personalities. Fascinating reading indeed.
1 of 1 people found the following review helpful.
Darker than the movie
By Richard Bon
I've loved the movie for many years and finally got around to reading the book. Certainly the book proves darker than the movie and shows the movie, beloved as it is, to be as "hollywoodized" as the best of them. Hobbs' character in the movie, portrayed by Robert Redford as so calm, poised, stoic, and generally kind is a lot different in the book - wild, emotional, reactive, and not particularly nice. Whereas in the movie, Hobbs' moral fortitude is unbreakable, in the book he wavers before eventually remaining true to his ideals.
On a side note, I'm not sure if Malamud was going for humor when he describes the massive amounts of food Hobbs consumes on some evenings in the book, particularly at the ill fated party toward the book's end, but I found his diet absurd.
2 of 2 people found the following review helpful.
My students love it!
By Nicole
I love Roy Hobbs! I use this in my English 11 classes, and they love it. Roy is a complex character that my kids relate to, and they get frustrated when Roy keeps making poor decisions. We use it to talk about the hero's journey, and it is very effective.
For any teachers out there, I made a study guide to go along with the book since it's very difficult to find a lot of teaching materials to go with it. It's on Teachers Pay Teachers. Shameless plug, I know.
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